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THIS YEAR:

8 to November 14, 2010, guests from France, Chile, Peru, Cali, Bogota and Bucaramanga Calarcá, share their stories-loaded flavor in landscapes made verb in every man or woman of her word. For the first time, women's voices be heard in our meeting, with each of its uni-verse and stories. Because the word is priceless ... a storyteller to-mouth.

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Anolis Daycard Annelore: Nîmes, France:: THE MIX PATY

License modern literature in French Literature (Montpellier III. 2002-2005). Bachelor of Language, Literature and Civilization, (Alicante, Spain, 2005-2006). Master of Iberian and Latin American studies with a thesis about the story and orality in Colombia. The story has become part of his life since childhood and grew to blow stories. Now with style subtle and full of sweetness, joy, mixed feelings, exchange their culture through the floor.

CUENTOTO Assembly: Two tales of Nasreddin Hodja - go around the story: it introduces a , another closes.

The heart, the CUENTOTO, is a story created from the experience. It is a story autodiegetic and influenced by the Colombian Oral Narrative.

The idea arises from the beginning, is to explain why a French one can keep going for Colombia.

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CUENTOTO: Valparaiso, Chile:: STORIES IN THE WAY JOSE ANTONIO NUÑEZ

Professor and Licentiate in Philosophy (PUCV), Cultural Manager, Producer and storytellers. Chilena. the storytelling begins in 1993 on his own. Since then he has been part of the generation of movement in Chile and subsequently Story-telling has taken brief refresher workshops with learners teachers of storytelling Carolina Rueda and Juan Marcial Moreno.

A storyteller Gabriela Mistral said right-hander, is that "That keeps one on edge and makes it charming in a trance, without more resources than the timbre of the voice , facial gestures and l you hand movements and body "

stories in the way is charting a nomadic storyteller, is a selection of stories from different sources and different eras. Some short stories have been with me stretches of road and have been sitting watching the sea from a beach where I've been, or watering the yard of a house where I lived. Others have gone with me wherever I go and a couple just yet to get, for the first time in my luggage.

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"UKUMARI:: Lima, Peru:: TALES OF MAURITIUS Trujillo

music therapist, researcher and storyteller. Currently conducting experiential workshops, healing circles and therapies indivual. It also provides presentations circles storytelling and music for children and adults actively involved in promoting reading encouragement, opportunities for exchange and reflection.

currently involved in research, rescue and dissemination oral culture, to cooperate actively in educational programs through various organizations with social responsibility. He is a member of the cultural project "Tell Peru" based in Lima.

Circle Stories are geared for happily sharing the wisdom of fairy tales, a message of peace and care of our nature.

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CIRCLE: Calarcá-Quindio:: Sodom and Gomorrah and CALARCA

designed, Calarcá farrowed and raised in a small village in the chief in the department of Quindio, Colombia.

De Young found that words are more than traps and puzzles, are revelation, key to unlock the imagination and allow us a world full of harmony.

over the past decade and a half telling stories, at first at the university level in the coffee, then samples storytellers national university and national and international exhibitions of storytelling.

Calarcá Sodom and Gomorrah ... to crisis so tenacious, Tombolele, Nene, El Canas, Huey Elueso "El Patas", clubs and Nina, are the stories that marked the lives of the villagers for decades, the tragedy of his plays in the middle of it for their survival Cruelty is laughable, describes the daily life of so many loved

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BRAVO ANDRES "EL ROLO": UIS-Bucaramanga:: touch of my EARTH AND SHOCK currulao JHOHANN

I baby story. Son of culture through my mother and my father Pastuso Costena, which mathematically makes me around a roller at heart. NO I AM MAD AS mentions it! I am of-mind that is very different.

Caress my land " the beginning, when on earth there were only rational creatures, and these were shapers of their own destiny, the music was just a whisper most of the wind, the only storyteller of the time"

is a work of storytelling that shows completely Colombian stories from myths and stories of creation to the urban reality in which we live. His characters are worthy representatives of our cultural diversity, with all his cunning, charm, cunning and naturally to them and have space in which magic and beauty of our Colombia. The do not say that lying is identified. Guitarist: Sergio Laguado.

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CASTELLANOS LOZANO " The Saint: Univalle-Cali:: TRIBE

In mid 2003, at 19 years old, unfinished leave my career as a musician in the CPI to be devoted to telling stories. From that year until 2007, I part of a group known as CuentoLuna city, a group in which I managed to temperance to face the public. They wrote my first stories and build a different style to that seen in the city. In 2005 I applied for the first time in Cali Unicuento with a mounting room.

ugly Dinner: Two students of a prestigious and expensive Colombian university decided to play to get the ugliest woman ... with the development of the plot travels a great discharge of humor as students fall into several comic situations to get to the ugly. The story takes the viewer, while laughing, to attend the presentation of a world view typical of shallow people, individuals who were born in wealthy families that the aesthetic is based on social behavior, not understanding that sometimes , born with silver spoons in and have it all, is no guarantee to be good human beings.

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FEAS DINNER POLYHEDRONS ORAL NARRATIVE: UIS-Bucaramanga:: refers to the myth

Jairo Alonso Díaz Díaz, Javier Alonso Rueda Fonseca, John Kewin Pérez Lizarazo. Storytelling. Tribu Polyhedra Oral Narrative. A proposal for a short story as a chance to dress putting on literature and storytelling.

refer the Myth: From 9 creation myths of the book Memorias del Fuego I. The births of Eduardo Galeano. Go back and be born with every birth, as the party we love, rivers and the sea, the Bats, the rainbow and many things more.

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JHARRY MARTINEZ AND MICHAEL BURGOS :: University of Antioquia, Medellín: DIGRESS social surd (DAS)

Jharry Martínez : C on gaze, secure voice and a firm conviction in their work and the pure vision of storytelling stage, the storyteller is betting the daily frenzy of college storytelling and fascinating world of infinite possibilities, and the interaction with public spaces and unconventional situations .

Sandro Burgos: His stories are of an urban nature, framed in the oral stage where everyday is the key, under a theme common experiences home to neighborhood, life, friends. It also has some free adaptations of writers such as Joseph M. Pascual, Alfredo Iriarte and American writers of stories of the Old West.

As seemingly random thoughts and non-spinning, going back and forth in the voices of two narrators casual Absurdly Ramblings Social Welfare (DSW) , making sailing sensations in the unconscious of the public to carry on stage and tell a story that is no stranger to any of them.

Inspired by the writings of renowned writer Mario Benedetti and enriched with some adaptations and self-authored texts of this pair of narrators weave fast-paced, sharp and sarcastic a story that blends seamlessly with a fierce dream ironic reality with complicity of music and interaction with the audience can not avoid making an active part of the story.

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OSWALDO GOMEZ CARDENAS "Buga": UIS-Bucaramanga:: THE CORNER OF THE REVOLUTION

I am a survivor of the revolution, but not the Bolshevik, or Cuban, or much less the poor, little or no Colombian revolution. I am a survivor of the Barrio La Revolucion, Guadalajara de Buga, Valle del Cauca. Pity the people, a people forgotten (except Easter) living on mercy drug traffickers, their philanthropy and their excesses momentary millionaires do not cataloged in Northern magazines.

corner of the revolution: I am a survivor of the revolution street corner Guadalajara de Buga Valle del Cauca, and in these minutes is the stories of the neighborhood, the patch, the corner store. Every character that has inhabited this corner goes on stage to tell their own story.

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FLOREZ LUIS MARTÍN Trujillo: Universidad Nacional de Colombia, Bogotá:: THE SECRET OF THE BUTTERFLY

Since childhood I was always lazy, watching TV Paradise idle, maybe that's why I became a storyteller, to tell my frustrations because José Miel. Actually most of us dedicated to the artistic life , if in this life can make art, we hide in a deep loneliness and a strong nonconformity with the world, it would not talk about my disagreement, because it might be too much. To speak of a life and work would have to refer to the beginning ...

The Secret of the Butterfly: There are days when consciousness is too heavy for us to accept what the world brings its twists and turns. Love is a dangerous thing because it comes out the deepest fears, that's what living the protagonist of this story told in two different atmospheres that blend to make a story full of narrative and poetry.

Address: Martin Trujillo. Texts: Luis Martín Trujillo. Duration: 70 min.

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OSCAR VEGA:: Universidad Industrial de Santander, Bucaramanga:: HISTORY IN THE RETAIL

scenic storyteller since 2006, with starts in the collective storytelling in Oral Narration Workshop, University of Western Australia, is essential for their experiences and thoughts with the voice from the culture.

History in A minor: Oral Narrative Scenic Working from the storyteller's own research. Narrated with the style of the author, is a walk through the stories they inhabit one of the people walking and counting.

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IVAN MAURICIO MUNOZ: Bucaramanga:: STORIES TO BE COUNTED

Dedicated to the performing arts since 2000, has served as T eatrero since that date and as N arrador oral or storyteller since 2001, founder and coordinator of outdoor space for urban storytelling "Tales of the Palms" in force in the city of Bucaramanga since 2003, and based on literature and everyday life has created all their texts without abandon driving comedy history.

stories to be told: In our country there is so much to tell, so many stories, so many hysterics. Our daily life is a feast of stories, urban adventures, situations that arise from our absorbent and monotonous reality, which few in a cartoon can become big stories, or better, which are very close to reality and the fantasy universe magic.

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VARGAS CAMILO JUAN ACEVEDO:: Universidad Nacional de Colombia, Bogotá:: MI BELLA DAMA

My way of telling is not as calm as I get into my characters. I like the unconventional narrative structures as tales without a narrator, in first person or in the future. I like all subjects, mostly love stories, taboos, and stories for children that I love.

My Fair Lady: is the story of Professor Richard Klinton Stroganoff Guachetá, and told from different traits the way back to a street girl into a lady, is an orignal story by Mark Twain adapted by Juan Camilo Vargas, and tells the story of the girl seen from different characters to reach descenlace unexpected.

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Occupational Accidents

Labour Code: Article 181
. Targeted workers (L. 18,620 ART. FIRST Art. 168)
of occupational training
kept in full their wages, whatever the modification
their
workdays. However, overtime hours for a training

not give entitlement to compensation.
The accident sustained by the worker to
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Social Risks of Occupational Accidents
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TITLE III SOCIAL SECURITY RISKS OF ACCIDENT
AND OCCUPATIONAL DISEASES

Article 209. The employer is responsible for (ART L. 18,620. FIRST Art. 194)
the obligations of membership and contributions
originating
compulsory social insurance against risks of accidents and occupational diseases
regulated by law No. 16,744
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to the same terms, the owner of the work or task
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Art 390):

f) trials in which they intend to do (L. 19.

447 Section 1, No. 3) effective

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ARE ACCIDENT (Law No. 16,744 on insurance
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